Rationalistic Distaste for Opera Essay

1. Italianate Opera did not arrogate every European center without resistance, especi every last(predicate)y in countries (like France and England) with strong traditions of spoken drama. What merely does St.-Evremond (p. 201-3) object to about opera house house, and why? only what parts of a drama does he say should NOT be stage set to music, and why? People observe the fairness if the cincirds and amidst all the varieties that unite to make the bouquet of the harmony, slide fastener escapes us. The music is nothing else to our ears further a conf employmentd sound that suffers nothing to be distinguished. Beginning of the drama should not be set to music.2. What do all 3 documents in MWW 54 let to say about railroad cars? Why atomic number 18 they a topic of discussion? The machine has something that is surprising. Machines may satisfy the curiosity of tricky men, who love mathematical inventions, save they allow for hardly please persons of good view in the theatre . The ancients made on use of machines, but when there was a requisite of bringing in some God.MWW 62 The Conventions of Opera Seria1. What is the setting of this little story, and how did Goldoni come about to be there? Goldoni had just been admitted to the public house in his native Venice, but, finding on clients, he spent his time writing a drama oer musica entitled Amalasunta. soon he found himself so profoundly in debt that he had to flee Venice. 2. How is he treated by the various members of the garner? They all offered to lend me their support but they suggested that before exposing the Drama to the judgment of the impresarios, it would be well to expose it to that of my friends.3. What exactly were the criticisms of his libretto, and what do these reveal about the reigning conventions of opera seria? His work is simple, Dramma per musica in itself an imperfect composition, has been subjected by custom to certain rules. Those of Aristotle, Horace, and all who prevai l trated of Poetics, but necessary if it is to serve the Music, the Actors, and the Composers. 4. What forces of the opera seria world shaped these conventions? The work Goldoni made, it breaking wind a new style of music.MWW 63 Opera Audiences in 18thc. Italy (Naples, 1765)1. What did Neapolitans go to the opera to expose and do, primarily? See business leaders Theatre, where the serious Opera is makeed, and of deuce smaller theatres, called Teatro Nuovo, and the Teatro dei Fiorentini. He also see the dirty kingd of a play house, where they perform a comedy every night. 2. What did the author admire most about this run into? What elicited his criticism? He never seen more than two or iii boxes so occupied, in the same night. The impresario, or manager, is bound to very bad terms, so that his profits are inconsiderable, and sometimes his is a loser.